By James M. Dunlop
Any artist wishing to perform determine drawing or to appreciate the body's move will do good to review the interplay of muscular tissues with bone constitution. This undying creation to human anatomy combines artwork and technology, concentrating on lifelike depictions of the skeleton's influence at the exterior shape and the attachments of the muscular system.
More than 70 black-and-white illustrations convey the positions and names of muscular tissues and bones. transparent and actual, the diagrams hide every little thing from the bones and muscle tissues within the neck, head, trunk, limbs, hand, and foot to information of the face. Artists at each point of expertise will locate this quantity an imperative reference.
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19th Century. " Dolls and Toys Society, Tokyo. 170 Gosho Ningyo. Middle of 19th Century. "Spirits of crane and tortoise" (symbols of longevity) H. 2414 in. National Museum, Tokyo. II. 3V-; 176 Kimekomi Ningyo. Late 18th Century. " H. 6V» in. Mr. Shinzo Noguchi, Tokyo. 171 Gosho Ningyo. Middle of 19th Century. " H. 9 in. 177 Nara Ningyo (wooden Museum, Tokyo. dolls made in Nara City). Late 19th Century. 172 Mitsuori Ningyo (dolls with movable limbs). Middle of 19th Century. ; woman, 12% Dolls and Toys Society, Tokyo.
161 Koshimaki (ladyV summer dress). H. , W. 52^! in. National Museum, Tokyo. 165 Noh Robe of Nui-haku Type. 19th Century. Black silk, with design of symbols of riches. 18th Century. silk, with design of autumn gra>ses gold-leaf imprint and embroidery. H. , W. 51 in. While H. , W. 49% in. National Museum, Tokyo. in National Museum, Tokyo. 162 IVoh Robe of Kara-ori Type. 17th Century. 166 Obi (sash). Ked silk twill, with design of diagonal s(|uares. H. , W. 59M! in. National Museum, Tokyo. 18th Century.
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